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珍藏珐琅彩双象耳瓶

珍藏珐琅彩双象耳瓶

  • 编  号:804758
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珍藏珐琅彩双象耳瓶
文鼎艺术馆
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  • 经营时间:
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  • 展厅面积:
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  • 地  区:
    四川-成都-其他
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创作年代 明清
作品分类 陶瓷紫砂- 瓷器-清代 品种 珐琅彩 器型
窑口 其他窑口
作品标签 艺术礼品
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藏品规格  高:42cm  口:15cm  低:15.5cm瓷胎画珐琅是珐琅彩瓷的正式名称,是汉族陶瓷艺术之瑰宝,是将画珐琅技法移植到瓷胎上的一种釉上彩瓷。

珐琅彩瓷的装饰工艺,即珐琅彩,也称为瓷胎画珐琅是专为清代宫廷御用而特制的一种精细彩绘瓷器,部分产品也用于犒赏功臣,其高超的烧造水平和不朽的艺术价值,充分体现了古代汉族劳动人民的卓越才能和和艺术创造力。珐琅彩瓷创烧于康熙晚期,雍正、乾隆时盛行。清代后期仍有少量烧制,但烧造场所已不在清宫中而移至景德镇。初期珐琅彩是在胎体未上釉处先作地色,后画花卉。康熙朝珐琅彩瓷器多以蓝、黄、紫红、松石绿等色为地,以各色珐琅料描绘各种花卉纹,其色彩、绘画、款式皆同于当时的铜胎画珐琅。珐琅彩瓷的特点是瓷质细润,彩料凝重,色泽鲜艳靓丽,画工精致。制作珐琅彩瓷极度费工,乾隆以后就销声匿迹了。

康熙的珐琅彩瓷大多作规矩写生的西番莲和缠枝牡丹,有花无鸟,显得单调。而雍正以花卉图案居多,山水、人物也有。当时尤为突出的是画面上配以相呼应的题诗。雍正时这些题诗的书法极佳,并于题诗的引首、句后配有朱文和白文的胭脂水或抹红印章,其印面文字又往往与画面及题诗内容相配合,如画竹的用“彬然”、“君子”章;画山水的用“山高”、“水长”章;画梅花的用“先春章等。珐琅彩瓷器可以说秉承了历史上中国陶瓷发展以来的各种优点,从拉胚、成型、画工、用料、施釉、色彩、烧制的技术上几乎是最精湛的。在乾隆时期出现了很多极其优秀的陶瓷作品,但珐琅彩在制作程序和用料上是其他众多品种无法比拟的。画工也不是一般的窑工,而是皇宫里面顶尖的专业画师,所以这些器物可以代表当时最高的艺术水平,最高的工艺水准。

 

 

 

The collection specification is high: 42cm mouth: 15cm low: 15.5cm porcelain body painting enamel is the official name of enamel color porcelain, is the treasure of the Han ceramic art, is a kind of overglaze color porcelain which transplants the enamel painting technique to the porcelain body. The decorative craft of enamel porcelain, namely enamel color, is also known as porcelain body painting. Enamel is a kind of fine painted porcelain specially designed for the imperial court of Qing Dynasty. Some products are also used to reward meritorious officials. Its superb firing level and immortal artistic value fully reflect the outstanding talent and artistic creativity of the ancient Han working people. Enamel porcelain was created in the late Kangxi period, and was popular in Yongzheng and Qianlong dynasties. In the late Qing Dynasty, there were still a small number of firing, but the firing place was no longer in the Qing palace and moved to Jingdezhen. In the early stage, the enamel color was first applied to the non glazed part of the carcass, and then flowers were painted. The enamel porcelain of Kangxi Dynasty was mostly made of blue, yellow, purplish red, turquoise green and other colors. Various kinds of flower patterns were depicted with various enamel materials. The color, painting and style of the porcelain were the same as those of the copper body painting enamel at that time. The characteristics of enamel porcelain are that the porcelain is fine, the color is dignified, the color is bright and beautiful, and the painting is exquisite. It was extremely laborious to make enamel porcelain, which disappeared after Qianlong. Most of the enamel porcelains in Kangxi period were made of passionflower and peony with flowers but no birds. In Yongzheng, flowers and flowers were the most common patterns, as well as landscapes and figures. At that time, it was particularly prominent that the pictures were accompanied by poems. In Yongzheng period, the calligraphy of these poems was excellent. After the introduction and sentence of poems, they were equipped with rouge or red seals in Zhuwen and Baiwen. The printed characters often matched the pictures and the contents of the poems. For example, the seals of "binran" and "Junzi" were used for bamboo painting; the "mountain high" and "water long" chapter were used for landscape painting; and "spring chapter" was used for plum blossom painting. It can be said that enamel porcelain inherits all kinds of advantages since the development of Chinese ceramics in history. It is almost the most exquisite in terms of drawing embryo, forming, painting, material, glaze, color and firing technology. In the Qianlong period, there were many excellent ceramic works, but enamel color in the production process and materials is incomparable with many other varieties. The painters were not ordinary killers, but the top professional painters in the Imperial Palace, so these artifacts could represent the highest artistic level and the highest technological level at that time.

 

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