The Five Hundred Arhats painted by Yu Wenlong presents people with a variety of strange and vulgar characters. The length of this painting is 40 meters, and the width is 35cm. The author spares no effort to depict the dynamics and inner world of the characters. At the same time, the description of the background adopts the technique of using less to overcome more and using empty to contrast the solid, almost abandoning the natural environment where many characters exist, so that the characters with different shapes are more dazzling. In the aspect of line modelling and performance skills, Yu Wenlong is ingenious, the line flutters fluently but not frivolous, Shu Song is casual but not scattered, the structure is rigorous but not constrained, showing the author's skilled artistic skill everywhere. From the 500 strange images and extreme exaggerated and distorted features of the arhat shaped by Yu Wenlong, people can't help but feel amazed and amazed at Wen Long's extraordinary artistic talent, and feel that he really has a magic power to turn decadent into magical. Yu Wenlong's arhat not only has a very high ornamental value, but also has boosted the promotion of Buddhism. Yu Wenlong's superiority lies in the ability of the individual form of his characters to be subordinate to the group shape and the religious picture. His paintings not only make people ponder, but also bring people's eyes into the quiet, mysterious and insipid eternal world.

于文龙《五百罗汉》集祖国传统文化之精萃，堪称罗汉图中，乃至历代人物画中之上品，充分显示了于文龙极具创造力的艺术才华。其人物造型丰富而夸张，给人以超凡脱俗之感。其简洁得近于空的背景处理，则令画面顿入清净无为之境。其取法于吴道子的线条，轻盈流畅而疏密有致．通卷格调完整和诣，的确是一幅兼具艺术鉴赏及宗教氛围的传世佳作。此画构图不落俗套，富有情趣，人物造型怪诞而不失法度，线条疏密有致，用色艳而不俗，可视为于文龙罗汉图中的典型作品，是当代人物画为后人留下的一座难以逾越的里程碑。

 

"Five Hundred Arhats" by Yu Wenlong is the best collection of Chinese traditional culture. It can be called the best in Arhats and even the figure paintings of the past dynasties, which fully shows Yu Wenlong's extremely creative artistic talent. Its character modeling is rich and exaggerated, giving people a sense of transcendence. Its concise nearly empty background processing, so that the screen into the environment of the clean. It is drawn from the lines of Wu Daozi, lightsome, smooth and dense. The complete style and attainments of the scroll are indeed a masterpiece of both artistic appreciation and religious atmosphere. The composition of this painting is unconventional, full of interest, the figures are grotesque but not vulgar, the lines are well-arranged, and the colors are brilliant but not vulgar. It can be regarded as a typical work in Wenlong and Arhan Pictures, and it is an unsurmountable milestone of contemporary figure painting for later generations. 局部细节图片鉴赏：