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于文龙画师《五百罗汉图》

于文龙画师《五百罗汉图》

  • 编  号:809208
  • 作  者:于文龙 查看拍卖记录
  • 销售状态:展示   展览中 2022.05.24号后可提货
  • 库  存: 1
  • 售  价:议价
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于文龙画师《五百罗汉图》

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作品信息 作者信息 交易评论 本画廊其他作品
尺寸 4000x35(cm) 创作年代 不详
作品分类 当代水墨 材质 纸本 题材 人物
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作品介绍

于文龙绘制的《五百罗汉》展现给人们的是一个个奇特怪异,不同流俗的人物形象。此画长度40米,宽度35cm,作者不惜力气,着意刻画人物动态和内心世界的同时,对于背景的描写却采用了以少胜多、以虚衬实的手法,几乎舍掉了众多人物存在的自然环境,使一个个形态各异的人物更加鲜艳夺目。在线条造型与表现技巧方面,于文龙匠心独运,线条飘动流畅而不轻浮,舒松随意而不散乱,结构严谨而不拘束,时时处处显示出作者娴熟的艺术功力。从于文龙塑造的那五百个形象奇诡,五官极度夸张扭曲的罗汉身上,人们不能不对于文龙超常的艺术才能感到惊愕和叹服,感觉到他确实有一种化腐朽为神奇般的魔力。于文龙的罗汉不但具有非常高的观赏价值,而且对弘扬佛法产生了助推作用。于文龙的过人之处更在于其人物个体的形态服从于群体造型以及宗教大画面的能力。他的画除了让人们玩味不已之外,还将人们的视线导入那清净无华、神秘平淡的永恒世界里。

The Five Hundred Arhats painted by Yu Wenlong presents people with a variety of strange and vulgar characters. The length of this painting is 40 meters, and the width is 35cm. The author spares no effort to depict the dynamics and inner world of the characters. At the same time, the description of the background adopts the technique of using less to overcome more and using empty to contrast the solid, almost abandoning the natural environment where many characters exist, so that the characters with different shapes are more dazzling. In the aspect of line modelling and performance skills, Yu Wenlong is ingenious, the line flutters fluently but not frivolous, Shu Song is casual but not scattered, the structure is rigorous but not constrained, showing the author's skilled artistic skill everywhere. From the 500 strange images and extreme exaggerated and distorted features of the arhat shaped by Yu Wenlong, people can't help but feel amazed and amazed at Wen Long's extraordinary artistic talent, and feel that he really has a magic power to turn decadent into magical. Yu Wenlong's arhat not only has a very high ornamental value, but also has boosted the promotion of Buddhism. Yu Wenlong's superiority lies in the ability of the individual form of his characters to be subordinate to the group shape and the religious picture. His paintings not only make people ponder, but also bring people's eyes into the quiet, mysterious and insipid eternal world.

于文龙《五百罗汉》集祖国传统文化之精萃,堪称罗汉图中,乃至历代人物画中之上品,充分显示了于文龙极具创造力的艺术才华。其人物造型丰富而夸张,给人以超凡脱俗之感。其简洁得近于空的背景处理,则令画面顿入清净无为之境。其取法于吴道子的线条,轻盈流畅而疏密有致.通卷格调完整和诣,的确是一幅兼具艺术鉴赏及宗教氛围的传世佳作。此画构图不落俗套,富有情趣,人物造型怪诞而不失法度,线条疏密有致,用色艳而不俗,可视为于文龙罗汉图中的典型作品,是当代人物画为后人留下的一座难以逾越的里程碑。

 

"Five Hundred Arhats" by Yu Wenlong is the best collection of Chinese traditional culture. It can be called the best in Arhats and even the figure paintings of the past dynasties, which fully shows Yu Wenlong's extremely creative artistic talent. Its character modeling is rich and exaggerated, giving people a sense of transcendence. Its concise nearly empty background processing, so that the screen into the environment of the clean. It is drawn from the lines of Wu Daozi, lightsome, smooth and dense. The complete style and attainments of the scroll are indeed a masterpiece of both artistic appreciation and religious atmosphere. The composition of this painting is unconventional, full of interest, the figures are grotesque but not vulgar, the lines are well-arranged, and the colors are brilliant but not vulgar. It can be regarded as a typical work in Wenlong and Arhan Pictures, and it is an unsurmountable milestone of contemporary figure painting for later generations. 局部细节图片鉴赏:

于文龙

于文龙

出生年份: 1968
籍  贯: 甘肃-兰州

作者介绍

汉族、甘肃古浪人。在京职业画家,2006考入北京画院,师从著名画家石齐,工笔花鸟画导师莫晓松工作室画家。作品参加北京第二、三、六届国际艺术展,北京国际博览会作品展,建党九十周年全国巡回展,西部十二省作品展,福建泉州慈善展。2013年北京个人画展,并出版“于文龙作品集”2011至2013年作品被北京市各大机构订制并收藏,现为中国石齐艺术研究会专职画家,北京翰鸿书画院副院长,中国水墨艺术研究院院士,中国美协甘肃会员,现居北京古文化街琉璃厂。

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