此枚钱币为乾隆通宝是乾隆时期的流转钱银，于清高宗乾隆皇帝于公元1735年即位，在位的60年里发挥其“文治武功”的治国策略，发明了封建社会里最终一个光辉盛世，之后民间便盛传佩戴“乾隆通宝”铜钱可驱灾辟邪，又因乾隆二字谐音“钱隆”而备受后世藏家所喜欢的钱币。该钱币铸于清高宗乾隆年间(1736-1795年)，反面的满文比较杂乱，上面有很详细的价格和钱币拓片。乾隆继位后，铸行“乾隆通宝”，要求仍重一钱二分，该钱书法铸工都比雍正时更为精美。钱局较雍正时有所增减，首先在乾隆四年，停了宝河、宝巩、宝济三局，于乾隆五年时开宝福局，七年开宝桂局，十年开宝直局。乾隆朝以前的制钱不加锡，以铜、铅、锌配制，称之为“黄钱”，在乾隆五年规定在铸钱铜料之中加百分之二的锡，称为“青钱”。 清代各年号均铸有钱币,钱文一般以满文和汉文两种文字。每一时期的钱币，形状、质地和文字都有其独特的风格和特征。此枚大清乾隆通宝重：4.6克，直径：2.55cm,呈圆形，中间有方孔。在钱币的正面刻 有“乾隆通宝”四个楷书字，其字从上而下而右而左直读，钱币的背面有满文“宝泉”两个字。钱文端庄秀丽，文字笔画刚劲有力、雕工精湛，美观大方，字口深峻，穿口光洁，刀痕化尽，也找不到仼何浇铸痕迹。此枚乾隆通宝整体包浆熟旧，整体上完美绝伦，放在乾隆钱中，真如鹤立鸡群，精美致极， 无论是铜质还是铸造工艺，无不显示出清朝鼎盛时期的风采。不仅有经济价值，更有历史价值和艺术价值，而历史价值和艺术价值又直接影响着经济价值。乾隆四十年时，私铸情况日盛，各省官员出现盗铸，政府对此无计可施，加上云南铜产量逐年递减，导致铜价飞涨，铸钱成本也随之水涨船高。距离清朝的时间越来越长，存在世上的乾隆通宝越来越少，乾隆通宝价格相比于前些年升了将近二十倍，收藏价值巨大，十分受藏家青睐。

英文译:This coin is the currency of Qianlong Tongbao, which was transferred during Qianlong period. Emperor Qianlong of Qing Emperor Gaozong took office in 1735 AD. During the 60 years of his reign, he developed his strategy of "governing the country by literature and martial arts", and invented a glorious feudal society. After that, people spread that wearing the "Qianlong Tongbao" copper coin could drive away evil spirits, and he was well-received by later collectors because of Qianlong's two-character homophonic "Qianlong". Favorite coins. The coin was coined during the reign of Emperor Qianlong (1736-1795). On the contrary, the Manchu language was rather messy, with detailed prices and rubbings on it. After Qianlong's succession, the foundry of "Qianlong Tongbao" demanded that it still weigh one dollar and two cents, and that the calligraphy founders of Qianlong Tongbao were more exquisite than Yongzheng. Compared with Yongzheng, the Qian Bureau increased or decreased. Firstly, in the four years of Qianlong, the three bureaus of Baohe, Baogong and Baoji were stopped. In the five years of Qianlong, the Baofu Bureau was opened, in seven years, and in ten years, the Baogui Bureau was opened. Before the Qianlong Dynasty, money was made without tin. It was made of copper, lead and zinc. It was called "yellow money". In the five years of the Qianlong Dynasty, it was stipulated to add 2% tin to the copper material for casting money, which was called "blue money". In the Qing Dynasty, coins were coined in every year, and the money was written in Manchu and Chinese. The coins, shape, texture and characters of each period have their own unique style and characteristics. This Qing Emperor Qianlong Tongbao weighs 4.6g and has a diameter of 2.55cm. It is round with square holes in the middle. The front of the coin is inscribed with four regular script characters of "Qianlong Tongbao", which are read from top to bottom, right to left, and the back of the coin is inscribed with the word "Baoquan" in Manchu. Qian Wen is dignified and beautiful, with strong strokes, exquisite sculptors, elegant appearance, deep words, smooth and clean piercing, and no trace of casting can be found. The whole package of Qianlong Tongbao is ripe and perfect. It stands out like a flock of chickens in Qianlong Qian. It is exquisite and exquisite. Whether it is copper or casting technology, it shows the style of Qing Dynasty in its heyday. It has not only economic value, but also historical value and artistic value, and the historical value and artistic value directly affect the economic value. During the forty years of Qianlong reign, the situation of private casting became more and more prosperous. Officials of all provinces stole casting. The government could not do anything about it. In addition, Yunnan copper production declined year by year, which led to the soaring price of copper and the rising cost of casting money. The Qing Dynasty is getting longer and longer, and there are fewer and fewer Qianlong Tongbao in the world. The price of Qianlong Tongbao has risen nearly 20 times compared with the previous years. It has a huge collection value and is very popular with collectors.

韩文译:이 화폐 는 건륭 통보 시대 의 유전 돈 은으로 청고종 건륭 황제 는 기원 1735년 즉위 를 재위 해 60년 동안 그 문치무공 을 발휘 한 치국 전략 을 발명 해 봉건 사회 에서 최종적 으로 광휘성세 를 발명 한 뒤 민간 에는 ‘ 건륭 통보 ’ 의 동전 을 쓰 어 재난 을 구출 할 수 있 고, 또 건륭 2 자 의 ‘ 돈 융 ’ 으로 후세 장가 의 장가 가 가 가 가 가좋아하는 화폐.이 화폐는 청고종 건륭 연간 (1736 -1795년), 반면 만문은 비교적 어지럽고, 위에는 상세한 가격과 화폐 개척이 있다.건륭은 후계한 후 ‘ 건륭 통보 ’ 를 주조해 주조한 후 여전히 한 푼 더 무거운 돈을 요구하고 있으며, 그 돈의 서예는 옹정때보다 더 정교하다.돈국 은 비교적 옹정 시절 에 다소 증감 을 먼저 건륭 4 년, 보하, 보화, 보제 3 회, 건륭 5 년 동안 보복국, 7년 개보 계국, 십 년 개보 직국 이다.건륭은 이전의 제전을 주석하지 않고 구리 · 납 · 아연을 배제하여 ‘ 노란 돈 ’ 이라고 부르며 건륭 5년에 주전동료 중 2% 의 석석을 더하여 ‘ 청돈 ’ 이라고 부른다.청대 각 연호는 모두 화폐를 주조하고, 돈문은 일반적으로 만문과 한문 두 가지 문자로 쓰인다.매 시기의 화폐, 형상, 재질과 문자는 독특한 풍격과 특징이 있다.이 대청 건륭 통보 중 4.6그램, 지름: 2.5cm, 원형, 중간 유방공.화폐의 정면에는 ‘ 건륭 통보 ’ 의 네 개의 해서 글자가 위에서 위에서 위에서 오른쪽으로 직독하고, 화폐의 뒷면에 만문 ‘ 보천 ’ 이라는 두 글자가 있다.돈과 문장은 단아하고 수려하고, 글자획은 강렬하고 힘있고, 조각공은 심오하고, 미관은 크고 크고, 글자의 입이 깊고 깊고, 입안이 깨끗하고, 칼자국이 녹았고, 도토리는 모두 없어지고, 킥 킥에 주조된 흔적을 찾지 못했다.이 건륭 통보의 전체적인 포만은 무르익고, 전체적으로 완벽한 절륜, 건륭 돈 속에 놓여, 군계일학, 정교하고 정교하고, 동질이나 주조 공예, 청나라 전성기 풍채를 보이지 않는다.경제적 가치는 물론 역사적 가치와 예술적 가치는 물론 역사적 가치와 예술가치는 경제적 가치에 직접적으로 영향을 미친다.건륭륭 40년 동안, 사사 주조 상황이 날로 번창하고, 각 성 관원들은 도주주주주주조가 나타나자, 정부는 이에 대해 무계할 수 없고, 운남 구리 생산량이 해마다 줄어들어 구리 가격이 급등하여, 주전 원가를 주조하는 데 따른 수등선고였다.청조의 시간이 갈수록 길어지면서, 세상에 존재하는 건륭 통보는 점점 적어지고, 건륭 통보 가격은 전년보다 20배 가까이 높아 소장가치가 커서 티베트인들의 주목을 받고 있다.

日文译:このお金は乾隆通宝として乾隆時代の流転銭銀で、清高宗乾隆帝が1735年に即位しました。在位の60年間に「文治武功」の治国戦略を発揮して、封建社会で最終的に輝かしい時代を創造しました。その後、民間では「乾隆通宝」の銅銭を身につけて災難を追い払い、また乾隆の二文字の語呂合わせ「銭隆」によって、後世の家を隠します。好きなお金。この貨幣は清高宗乾隆年間（1736-1795年）に鋳造されました。反対側の満文は乱雑で、詳しい価格と貨幣拓本があります。乾隆が位を継ぐ後に、鋳造して“乾隆通宝”を行って、要求は依然として1銭2分重いです。このお金の書道の鋳造工はすべて雍正の時より更に精巧です。金局は比較的に雍正な時にいくらかの増減があって、まず乾隆の4年で、宝河、宝コン、宝済の3局に止まって、乾隆の5年の時に宝福局をつけて、7年宝の桂局をつけて、10年宝のまっすぐな局をつけます。乾隆朝以前の製銭は錫を使わず、銅、鉛、亜鉛で調合して、「黄銭」と呼ばれています。乾隆五年に規定されている鋳金の中に二%の錫を加えて、「青銭」と呼ばれています。清代の各年号は全部貨幣が鋳造されています。銭文は普通満文と漢文の2種類の文字で作られます。各時期の貨幣は形、材質と文字に独特な風格と特徴があります。この大清乾隆通宝の重さ：4.6グラム、直径：2.55 cm、円形を呈して、中間の四角穴があります。お金の正面に「乾隆通宝」という四箇の楷書が刻まれていますが、その字は上から下にかけて右にまっすぐ読みます。お金の裏側には「宝泉」という文字がいっぱいあります。銭文は端麗で、文字の筆画は力強くて、彫刻が巧みで、美しい大方、字の口は深くて高くて、穿口はきれいで、刀の跡は溶け尽くして、同じく探し出せません。この乾隆通宝は全体的に古くて、全体的に完璧で、乾隆のお金の中に置いて、本当に鶴立鶏の群のようです。精巧で美しいです。銅の質でも鋳造の技術でも、清朝の最盛期の風貌を見せません。経済的価値だけでなく、歴史的価値と芸術的価値もあります。歴史的価値と芸術的価値は直接経済的価値に影響します。乾隆四十年の時に、私鋳の状況は日増しに盛んになり、各省の官吏は鋳造を盗むことが現れました。