白色的克拉
(平台服务时间:周一到周五 9:00-17:00)
- 资质:
- 评分:
1分 2分 3分 4分 5分 6分 7分 8分 9分 10分 7分
- 印象:
- 经营时间:22年
- 展厅面积:300平米
- 地 区:上海-普陀-莫干山路M50艺术区
创作年代 | 2016年 | ||||
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作品分类 | 装置 | 材质 | 其它 | ||
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作品介绍
在“绝地反击”热的展览中,艺术家把自身对热的经验延展至城市的空间与时间中。罗马柱是上海城市中最常出现的一种审美文化建筑风格。生石灰块组成的罗马柱在空气中湿度的影响下渐成粉末,仅剩钢架外形。此后用这些石灰粉末重新塑造一个白色的坚硬的罗马柱,它像一个遗迹留下,同时也是地域审美文化的产品。在“绝地反击”展览中,作品的材料属性是对热的一种消解,也是从另一个侧面呈现热的程度。
In the exhibition “Total War Or Nothing At All - Hot”, Song Xi extends his personal experience about “hot” to time and space in urban environment. Roman columns are a type of Classical architectural language frequently found in Shanghai. These columns, made of quicklime, will gradually collapse into powder under the humidity in the gallery space, only the steel framework can be left. These powder will then be collected and used to re-create a solid, white Roman column. Its presence resembles a ruin, which reflects local taste in Shanghai. In this exhibition “Total War Or Nothing At All: Hot”, the material nature of Song Xi’s work offers a metaphor implying the degradation of heat, as well as demonstrating the level of heat from a new perspective.
作者介绍
宋兮1983年生于黑龙江省齐齐哈尔市,达斡尔族,2006年毕业于大连轻工业学院,现工作生活于北京,上海。
宋兮的艺术创作注重身体为媒介的表达。高度的意识形态在社会化的身体中,隐藏着多重身份,同时附有政治属性。身体自身的肉感、情感所产生的温度和思考以不固定的作品形式呈现,温暖隐藏在极简的形式中,从而在身体、情感、物质之间建立多重身份交融的某种未知关系。常以陌生化的认知、经验在惯性的秩序中出离,往往发生“错误”的判断,对身体情感造成故意的“伤害”。在输出情感的同时,他还常以项目的形式探究身体、社会,政治的关系,在固有的系统之内之外构建新的可能。
Song Xi was born in 1983 with Daur nationality, Heilongjiang Province, China. He graduated from Art and Design College in University of Light Industry, Dalian in 2006, and currently lives and works in Beijing.
Song Xi’s artistic creation focuses on the body as an expressive medium. Inside of a socialised body, highly developed ideologies conceal their multiple identities - which also bear certain political message. The physicality of flesh and sensory reaction of the body itself generate corporeal warmth and intellectual reflections, which are represented in unsettled forms of art. Such warmth and reflections become disguised in visually minimal forms, thus establishing some kind of unspeakable relations that embody interwoven multi-identities. Alienated perception and experience that deviate a routine order, could often lead to “false” judgement, consequentially imposing a conscious “abuse” upon corporeal sensation. Apart from exploring the ways how body could deliver emotion and sensation, Song Xi also works on research projects that study the interrelation between body, society and politics, inaugurating new possibilities beyond the established system.