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清乾隆青花缠枝纹抱月瓶

清乾隆青花缠枝纹抱月瓶

  • 编  号:811687
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清乾隆青花缠枝纹抱月瓶
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  • 经营时间:
    8年
  • 展厅面积:
    490平米
  • 地  区:
    四川-成都-其他
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创作年代 明清
作品分类 陶瓷紫砂- 瓷器-清代 品种 青花 器型
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作品介绍


抱月瓶是清代的一种瓷器。亦称“宝月瓶”。小口、直颈,颈侧双耳,因瓶腹似圆月,故名。外形最早源自宋元时期流行于西夏的陶制马挂瓶,左右双系,用以挂于马鞍之侧,极具民族特色。明代永乐、宣德景德镇窑常见器物之一,雍正早期烧制,后停烧。乾隆时又有烧制,多为青花。

抱月瓶外形最早源自宋元时期流行于西夏的陶制马挂瓶,左右双系,用以挂于马鞍之侧,极具民族特色。明代以青花为装饰,结合抱月瓶自身独特风格,将色彩与器形完美融于一体,使其发展成为陈设用的艺术品。抱月瓶以永宣时期最负盛名,其中蒜头口抱月瓶于康熙、雍正两朝多有仿制。乾隆皇帝更是喜爱有加,因此抱月瓶成为清代乾隆一朝重要的陈设瓷器之一,外形与花样也随着御窑厂不断创新而变化多样,异彩纷呈。

胎釉细润,精巧端庄。颈两侧置对称夔龙耳,玲珑别致。瓶身扁平,形若满月。全器以青花绘就,口沿外部绘如意云头纹一周,颈部则绘蝙蝠作饰。

The moon bottle is a kind of porcelain in qing Dynasty. Also known as "treasure moon bottle". Small mouth, straight neck, neck side two ears, because the bottle abdomen like a full moon, so the name. The shape was originally derived from the pottery horse hanging bottle popular in the Western Xia dynasty in the Song and Yuan dynasties. The left and right double series were used to hang on the side of the saddle, which was very national characteristics. One of the common wares of Yongle and Xuande Jingdezhen kilns in The Ming Dynasty, which was fired in the early period of Yongzheng and stopped burning later. Qianlong time and firing, mostly blue and white.

The shape of the moon holding bottle was originally derived from the pottery horse hanging bottle popular in the Western Xia dynasty in the Song and Yuan dynasties. The left and right double series were used to hang on the side of the saddle, which is very national characteristics. In Ming Dynasty, blue and white were used as decoration, combined with the unique style of holding the moon bottle, and the color and shape were perfectly integrated into one, so that it developed into an artwork for display. Holding the moon bottle in yongxuan period is the most famous, which garlic mouth holding the moon bottle in Kangxi, Yongzheng two dynasties more imitation. Emperor Qianlong loved it more, so holding the moon bottle became one of the important display porcelain of Qianlong dynasty in the Qing Dynasty. Its shape and pattern also changed with the continuous innovation of the imperial kiln, and it was colorful.

The glaze is fine and delicate. Symmetrical Kui dragon ears on both sides of the neck, exquisite and unique. The bottle is flat and shaped like a full moon. The whole device is painted with blue and white, and the mouth is painted along the outer surface of the cloud head for a week, and the neck is painted with a bat.

 

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