百鸟朝凤是汉语成语， 朝：朝见；凤：凤凰，古代传说中的鸟王。旧时喻指君主圣明而天下依附，后也比喻德高望重者众望所归,此百鸟朝凤琉璃盘生于民国, 用来表达人们对太平盛世的无限期盼。气氛热烈、仪态纷陈的《百鸟朝凤》图，实际上就是向往和平与祈福的传统心态写照。其材质选用当时堪比黄金珍贵的琉璃制作,工艺精湛,巧夺天工。
琉璃，琉璃亦作“瑠璃”是用各种颜色（颜色是由各种稀有金属形成）的人造水晶（含24%的二氧化铅）为原料，是在1000多度的高温下烧制而成的。其色彩流云漓彩；其品质晶莹剔透、光彩夺目。中国古代最初制作琉璃的材料，是从青铜器铸造时产生的副产品中获得的，经过提炼加工然后制成琉璃。琉璃的颜色多种多样，古人也叫它“五色石”。古时由于民间很难得到，所以当时人们把琉璃甚至看成比玉器还要珍贵。中东地区的两河流域在三千年前就已开始生产珠饰等玻璃器物，公元三至七世纪，两河流域玻璃业空前兴旺发达，由于此时此地为波斯萨珊王朝时期，这一地区生产的玻璃器物也随之称为萨珊玻璃。罗马玻璃衰落之后，萨珊玻璃继承了罗马玻璃制作的诸多工艺，又结合自身的特点，如在吹至成型的玻璃器上再作磨琢的冷加工技术，制作了大量的精美的高级玻璃器。自三国时到魏晋南北朝，中国与波斯萨珊帝国交流频繁，大量专供社会上层享用的萨珊玻璃器输入中土。经过两千多年的智慧演变，清末民初的琉璃工艺依然达到一个工艺巅峰。
盘上分别为喜鹊，画眉，鹃鵙，黄鹂，山椒，鹊鸲，围一凤凰呈众星捧月，百鸟朝凤。众所周知民国是一个动荡的年代，群雄四起，战火硝烟不断，此盘匠师以百鸟朝凤为画寓意吉祥和平，工艺技术鬼斧神工，其凤凰姿态神采奕奕，呼之欲出！此琉璃盘经历战乱岁月的洗礼还能保持如此完好得天独厚。观赏价值极高，收藏价值巨大。
 Hundred Birds Chao Feng is a Chinese idiom. Chao: Chao Xian; Feng: Phoenix, the king of birds in ancient legends. The old metaphor refers to the emperor who is saintly and wisely attached to the world. Later, it also refers to the people who are highly respected and respected. This hundred birds were born in the Republic of China on Phoenix and glazed pans to express people's unlimited expectations for a peaceful and prosperous age. In fact, the picture of Birds Chao Feng with warm atmosphere and varied manners is a portrayal of the traditional mentality of longing for peace and praying for blessings. Its material selection was comparable to gold precious glaze production, exquisite craftsmanship, skillful.
 Liuli, also known as "glaze", is made from artificial crystals (containing 24% lead dioxide) of various colors (formed from various rare metals), which are fired at a temperature of more than 1000 degrees. Its color is flowing clouds and brilliant; its quality is crystal clear and dazzling. The material for making glaze in ancient China was obtained from by-products of bronze casting, which were refined and processed and then made into glaze. The colours of the glaze are various, and the ancients call it "five-coloured stone". In ancient times, because it was difficult for the people to get it, people even regarded the glaze as more precious than the jade. The Mesopotamia in the Middle East began to produce glassware such as pearls three thousand years ago. From the 3rd to 7th centuries AD, the glassware industry in the Mesopotamia flourished unprecedentedly. Since this area was in the period of Persian Sassanian Dynasty, the glassware produced in this area was also called Sassanian glass. After the decline of Roman glass, Sassanian glass inherited many techniques of Roman glass making, and combined with its own characteristics, such as the cold processing technology which was blown to the moulded glass and then polished, produced a large number of exquisite high-grade glassware. From the time of the Three Kingdoms to the Wei, Jin and Southern and Northern Dynasties, China had frequent exchanges with the Persian Sassanian Empire, and a large number of Sassanian glassware was imported into the Middle Territory for the exclusive enjoyment of the upper classes of society. After more than two thousand years of wisdom evolution, the glazed craft in the late Qing Dynasty and the early Republic of China still reached a peak.
 On the plate are magpies, thrushes, cuckoos, orioles, peppers, magpie owls, surrounded by a phoenix showing stars holding the moon, birds facing the phoenix. As we all know, the Republic of China is a turbulent era, with all kinds of heroes and fierce battles. This pan craftsman uses birds and phoenixes as his paintings to symbolize auspicious peace and craftsmanship. His Phoenix posture is brilliant and ready to come out! This glazed dish has been baptized in the war years, and it is very good for us to keep it in good condition. The ornamental value is very high and the collection value is huge.