王远铮在画面上，可以直接地画一堆肉、一只香蕉、一条蛇等等，是他以往心绪的象征性表现，就像他日常情绪与痛楚的片段宣泄。虽然这些图像有着隐喻的元素，但已没有了传统人文的指涉，与以往宏大的叙事针对性也发生了偏离，而是与自我存在与体验直接相连的明喻。 （冯博一）

Wang yuanzheng can directly draw a bunch of flesh, a banana and a snake etc on canvas, which symbolized his past emotion, just as his catharsis of daily sentiment and pain. There are some metaphorical elements in the images, but no more traditional humanistic referent, which is a big deviations with the formerly grand narrative target, but a simile directly connected with self-existence and experience.（Feng Boyi）