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  • 编  号:799052
  • 作  者:松谷武判 查看拍卖记录
  • 销售状态:待售(不可在线交易)   展览中 2020.06.26号后可提货
  • 库  存: 1
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  • 经营时间:
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  • 地  区:
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尺寸 53x68(cm) 创作年代 不详
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作品介绍

松谷武判

1937-

日本戦后当代艺术代表人物

松谷武判( Takesada Matsutani)1937年出生于日本大阪,现在生活和工作在

法国巴黎和日本西宫・是一位著名的画家、雕塑家以及版画家。

1963 年成为日本战后前卫艺术─具体派的第二代成员,该团体旨在「用工具和身体呈现」,抛弃传统「画笔」的使用,而「具体二代」又更活化创新,使用更新式的材料进行实验。1966 年松谷武判前往巴黎留学后定居,发展出更大胆的创作方式。他的独门技法即是以白胶覆盖画布,用电风扇吹干,使其呈现膨胀或皱褶等奇特纹路,再于白胶上以石墨作画。松谷武判的作品突破传统平面绘画的侷限,既是绘画,亦是雕塑。 松谷武判目前来往居住于巴黎和日本西宫市两地创作。他的作品收藏于巴黎庞毕度中心、东京国立近代美术馆、伦敦维多利亚与艾伯特博物馆,以及维也纳阿尔贝蒂娜博物馆。

从上世纪六十年代初期至七十年代初期・他成为了第二代」具体画派「艺术协会( Gutai Art Association)的核心人物之一。

时至今日仍在全球范围内广受赞誉。此前,艺术家在2019年夏天于蓬皮杜艺术中心举办了一场回顾研究展,同时也与图卢兹于法国国家艺术史学院(National Institute of Art History)合作重开了展览《松谷武判:印刷,1967-1977》(Takesada Matsutani: Prints, 1967-1977)。

 

Takesada Matsutani

1937-

Representatives of post-contemporary art in Japan

Takesada Matsutani was born in Osaka, Japan in 1937, and now lives and works in Paris, France and Nishinomiya, Japan is a famous painter, sculptor and printmaker.

In 1963, he became the second generation member of the post-war avant-garde art in Japan-the concrete school. The group aims to "present with tools and bodies", abandon the use of the traditional "paint brush", and the "concrete second generation" is more innovative and updated. Type of material for experimentation. In 1966, Takesada Matsutani settled in Paris after studying abroad, and developed a bolder creative method. His unique technique is to cover the canvas with white glue and dry it with an electric fan to make it appear strange patterns such as swelling or wrinkles, and then paint with graphite on the white glue. Matsutani’s works break through the limitations of traditional graphic painting and are both painting and sculpture. Matsutani currently lives and works in Paris and Nishinomiya, Japan. His works are collected in the Centre Pompidou in Paris, the National Museum of Modern Art in Tokyo, the Victoria and Albert Museum in London, and the Albertina Museum in Vienna.

From the early 1960s to the early 1970s, he became one of the core figures of the Gutai Art Association, the second-generation concrete school.

Today, it is still widely praised worldwide. Previously, the artist held a retrospective research exhibition at the Centre Pompidou in the summer of 2019. At the same time, he also reopened the exhibition "Takesada Matsutani: Printing," in collaboration with Toulouse at the National Institute of Art History in France. 1967-1977" (Takesada Matsutani: Prints, 1967-1977).

松谷武判

松谷武判

出生年份: 1937
籍  贯: 国外-日本

作者介绍

松谷武判

1937-

日本戦后当代艺术代表人物

松谷武判( Takesada Matsutani)1937年出生于日本大阪,现在生活和工作在法国巴黎和日本西宫,是一位著名的画家、雕塑家以及版画家。

1963 年成为日本战后前卫艺术─具体派的第二代成员,该团体旨在「用工具和身体呈现」,抛弃传统「画笔」的使用,而「具体二代」又更活化创新,使用更新式的材料进行实验。1966 年松谷武判前往巴黎留学后定居,发展出更大胆的创作方式。他的独门技法即是以白胶覆盖画布,用电风扇吹干,使其呈现膨胀或皱褶等奇特纹路,再于白胶上以石墨作画。松谷武判的作品突破传统平面绘画的侷限,既是绘画,亦是雕塑。 松谷武判目前来往居住于巴黎和日本西宫市两地创作。他的作品收藏于巴黎庞毕度中心、东京国立近代美术馆、伦敦维多利亚与艾伯特博物馆,以及维也纳阿尔贝蒂娜博物馆。

从上世纪六十年代初期至七十年代初期・他成为了第二代」具体画派「艺术协会( Gutai Art Association)的核心人物之一。

 

Takesada Matsutani

1937- Representatives of post-contemporary art in Japan Takesada Matsutani was born in Osaka, Japan in 1937, and now lives and works in Paris, France and Nishinomiya, Japan, is a famous painter, sculptor and printmaker.   In 1963, he became the second generation member of the post-war avant-garde art in Japan-the concrete school. The group aims to "present with tools and bodies", abandon the use of the traditional "paint brush", and the "concrete second generation" is more innovative and updated. Type of material for experimentation. In 1966, Takesada Matsutani settled in Paris after studying abroad, and developed a bolder creative method. His unique technique is to cover the canvas with white glue and dry it with an electric fan to make it appear strange patterns such as swelling or wrinkles, and then paint with graphite on the white glue. Matsutani’s works break through the limitations of traditional graphic painting and are both painting and sculpture. Matsutani currently lives and works in Paris and Nishinomiya, Japan. His works are collected in the Centre Pompidou in Paris, the National Museum of Modern Art in Tokyo, the Victoria and Albert Museum in London, and the Albertina Museum in Vienna.   From the early 1960s to the early 1970s, he became one of the core figures of the Gutai Art Association, the second-generation concrete school.

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