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北洋造光绪元宝(私造币)

北洋造光绪元宝(私造币)

  • 编  号:789079
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北洋造光绪元宝(私造币)

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  • 地  区:
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此枚钱币为光绪元宝北洋造的私造币,所谓私造币是清朝晚期历史的产物,因为当时的政权动荡,缺乏钱币,导致了一些非法人员制作钱币,也可称为当时的错版币。银币背面外圈顶部用小号英文标准字体铭“XX省造”或“造币总厂”字样,下面为英文货币价值,内圈铸有中心为蟠龙图,品相精致,其审美风格独特。此钱币的标准为29TH,是极为罕见的版本,极具收藏的价值。 光绪元宝是清朝光绪年间流通的货币之一。由湖北两广总督张之洞率先引进英国铸币机器铸造银元和铜元,之后各省纷纷仿效。共有十九个省局铸造,除中央户部,地方省所铸铜元,皆在其正面上缘镌写省名。 光绪元宝是大清光绪年流通大面值货币之首,是我国首批引进海外技术的印发流通货币,对于现今也蕴藏了一定历史意义。北洋造光绪元宝北洋龙洋在中国近代机器铸币史上属一个大系列,其铸期历时甚长(从光绪22年—光绪34年[1896至1908年]),历经十余载,币模几经更替,即使同一铸造年份亦往往由于修模、币材、工艺技术、工厂管理等诸多因素,造成版别异常繁杂。 英国大工业的介入,使银币也沾染上西方色彩。钱币正面鲜然可见满汉文化的融合,而钱背却明确标示了西方文化的介入。“光绪元宝”当时共十九个省局铸造。除中央户部,地方省所铸铜元,皆在其正面上缘镌写省名。计有:1户部;2北洋;3吉林;4奉天;5清江;6浙江;7江南;8广东;9山东;10福建;11湖南;12湖北;13四川;14江西;15河南;16安徽;17广西;18新疆;19黑龙江。 光绪元宝是银币珍藏的大类,向来都受到许多藏家的关注,差异版此外光绪元宝都有奇异的韵味,值得藏家深品。钱币虽小,也可管窥社会文化一斑。这枚光绪元宝,其包浆自然,字迹清晰,流通痕迹显着,边齿过关,龙鳞清晰,具有极高的投资价值和珍藏价值。它有着历史熏陶,是价值很高的革命文物,具有深远的历史纪念意义;同时照旧考古和研究中国历史文化难堪的实物。 This coin was made by Guangxu Yuanbao in Beiyang. The so-called private coinage was the product of the late Qing Dynasty. Because of the turbulence of the regime at that time and the lack of money, some illegal people made coins, which could also be called the wrong version coins at that time. The top of the outer ring of the back of the silver coin is inscribed in the small standard English font "Made in XX Province" or "Mint General Factory". The following is the value of the English currency. The inner ring has a central picture of the dragon, with exquisite taste and unique aesthetic style. The standard of this coin is 29TH, which is a very rare edition and has great collection value. Guangxu Yuanbao was one of the currencies circulated during the period of Guangxu in Qing Dynasty. Zhang Zhidong, governor of Guangdong and Guangdong provinces in Hubei, took the lead in introducing British coin machines to mint silver and copper yuan, which were followed by other provinces. There are nineteen provincial bureaus casting. Except for the central household department, the copper coins cast by local provinces are all inscribed on the upper margin of their fronts. Guangxu Yuanbao is the first large denomination currency circulated in Guangxu year of the Great Qing Dynasty. It is the first circulation currency to introduce overseas technology in China. It also has certain historical significance for today. Beiyang Guangxu Yuanbao Beiyang Longyang belongs to a large series in the history of modern machine coinage in China. Its casting period is very long (from Guangxu 22 years to Guangxu 34 years [1896-1908]). After more than ten years, the coin models have been replaced several times. Even in the same casting year, it is often due to many factors such as repairing, currency materials, technology, factory management, etc. The edition is very complicated. The intervention of British big industry has also stained silver coins with Western colors. On the positive side of coins, the integration of Manchu and Han cultures can be seen, while Qianbei clearly indicates the intervention of Western cultures. "Guangxu Yuanbao" was cast by nineteen provincial bureaus at that time. Except for the central household department, the copper coins cast by local provinces are all inscribed on the upper edge of the front. There are: 1 household; 2 Beiyang; 3 Jilin; 4 Fengtian; 5 Qingjiang; 6 Zhejiang; 7 Jiangnan; 8 Guangdong; 9 Shandong; 10 Fujian; 11 Hunan; 12 Hubei; 13 Sichuan; 14 Jiangxi; 15 Henan; 16 Anhui; 17 Guangxi; 18 Xinjiang; 19 Heilongjiang. Guangxu Yuanbao is a large collection of silver coins, which has always attracted the attention of many collectors. In addition, the different editions of Guangxu Yuanbao have a strange charm, which is worthy of deep appreciation by collectors. Although the coin is small, it can also give a glimpse of social culture. This Guangxu Yuanbao has natural pulp, clear handwriting, remarkable circulation trace, clearance of edge teeth and clear dragon scales. It has high investment value and treasure value. It is a revolutionary cultural relic of high value and has far-reaching historical commemorative significance. At the same time, it is still archaeological and studies the embarrassing reality of Chinese history and culture.

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