您所在的位置:重庆兴古>藏品>藏品详细
乾隆御制款六棱画珐琅瓶

乾隆御制款六棱画珐琅瓶

  • 编  号:752315
  • 销售状态:待售(不可在线交易)  
  • 库  存: 1
  • 售  价:议价
店铺电话:17725017090 买家服务热线: 400-601-8111

(平台服务时间:周一到周五 9:00-17:00)

乾隆御制款六棱画珐琅瓶

银牌会员

重庆兴古
积分:5
加关注
  • 资质:
  • 评分:
    1分 2分 3分 4分 5分 6分 7分 8分 9分 10分 7
  • 印象:
    公司正规 高端大气 良心公司 政府单位 务实 添加
    确定
  • 经营时间:
    1年
  • 展厅面积:
    618平米
  • 地  区:
    重庆-渝北
藏品信息 交易评论 本店铺其他藏品
创作年代 不详
作品分类 陶瓷紫砂- 瓷器-清代 品种 粉彩 器型
窑口 其他窑口

作品介绍

精品推荐: 乾隆御制款六棱画珐琅瓶 规格:口径:7.8cm:高:24.9cm 粉彩瓷是清宫廷创烧的彩瓷。在烧好的胎釉上施含砷物的粉底,涂上颜料后用笔洗开,由于砷的乳蚀作用颜色产生粉化效果。早在清康熙年间,粉彩作为瓷器釉上彩绘艺术已开始了萌芽;到雍正时期,已趋成熟,并形成粉彩装饰的独特风格;乾隆时期粉彩已非常兴盛。粉彩的艺术效果,以秀丽雅致,粉润柔和见长,这与洁白精美的瓷质分不开,它们相互衬托,相映成趣,有机地结合起来。 乾隆皇帝对书画、诗词以及各类工艺品的喜爱达到狂热程度,对瓷器的偏爱尤甚。乾隆皇帝对瓷器的喜爱不仅停留在赏玩层面,甚至直接参与到瓷器制作中,对宫内制瓷诸事屡屡过问,其痴迷程度尤甚其父雍正皇帝。例如,乾隆常下谕旨,粉彩在制作前,宫中负责此事的大臣需先向皇帝呈画样或木样,待审定后,方可送交景德镇御窑场烧制(有关乾隆时期瓷器制作的木样、画样以及款识、题诗等样稿,在《清宫档案》中皆有案可查)。在乾隆皇帝的亲力亲为下,粉彩从单纯的日常生活用具变成具有陈设观赏、祭祀礼佛、品鉴把玩的多用瓷,这是宫中其他工艺品无法相比的。 在用彩方面,乾隆粉彩经常利用粉彩温润柔和的质感造出不同的色泽层次和透视关系,所以能够精准细致地仿制出石,木,动物等物体的色调和质感。乾隆粉彩装饰另一引人注目的地方是大量乾隆粉彩大量采用缠枝宝相花或洋花作主题纹饰,加饰龙凤、八宝、吉庆、祥瑞,。这种含蓄的表现手法,在结合千姿百态的造型,使得乾隆粉彩瓷器显得繁缛华丽,精细完美。 此件乾隆时期的乾隆御制款六棱画珐琅瓶,通高:高:24.9cm ,底部落”大清乾隆年制”帝王款。器形规整,胎质细腻坚致,质地细腻轻盈,釉面滋润匀净,通体施以粉彩,并辅以描金工艺将瓶身分成多个部分。盘口,束颈,造型秀长,大气文雅,通体黄色粉地。纹饰丰满,棱处描金,极具观赏价值。此瓶在制作工艺上,以红、黄为主色调,精制巧妙的工艺技法,丰富多样的图案,呈现着乾隆粉彩的遗风。特别是烧造如此规整大型之陈设器,十分难得。 英文翻译: Recommendation of Fine Products: Qianlong Imperial Six-edged Enamel Bottle Specification: Caliber: 7.8cm: High: 24.9cm Price: 6 million 600 thousand Pink-coloured porcelain was created and fired by the Qing court. The base of the burnt glaze is applied with arsenic. The pigment is painted and washed with a brush. The color of the glaze is produced due to the emulsion effect of arsenic. As early as the reign of Kangxi in the Qing Dynasty, the art of pastel painting on porcelain glaze had begun to sprout; by Yongzheng period, it had matured and formed a unique style of pastel decoration; during Qianlong period, pastel painting had been very prosperous. The artistic effect of pastel color is characterized by elegance and softness, which is inseparable from white and exquisite porcelain. They are interesting and interesting to each other. Emperor Qianlong was enthusiastic about painting, calligraphy, poetry and various arts and crafts, especially about porcelain. Emperor Qianlong's love for porcelain not only stayed at the level of enjoyment, but also directly participated in the production of porcelain. He repeatedly questioned various things about making porcelain in the palace, especially his father Yongzheng Emperor. For example, Qianlong often decrees that before the production of pastels, the minister in charge of this matter in the Palace should first present the paintings or wood samples to the emperor, and after examination and approval, they can be sent to the imperial kiln in Jingdezhen for firing. (Samples of wood, paintings, inscriptions and poems made of porcelains during the Qianlong period can be found in the Qing Palace Archives.) With Emperor Qianlong's personal support, pastel has changed from simple daily necessities to multi-purpose porcelain with ornamental display, sacrificial rites to Buddhas and tasting handicraft, which is incomparable with other handicraft works in the palace. In the use of color, Qianlong pastels often use the soft texture of pastels to create different levels of color and perspective relationship, so they can accurately and meticulously imitate the tone and texture of stone, wood, animals and other objects. Another noticeable aspect of Qianlong pastel decoration is that a large number of Qianlong pastels adopt twisted Bao-Xiang flowers or foreign flowers as theme decorations, with dragon and phoenix, eight treasures, auspicious and auspicious decorations. This implicit technique of expression, in combination with a variety of shapes, makes Qianlong pink pottery look complex and gorgeous, fine and perfect. This six-edged enamel bottle made by Emperor Qianlong in Qianlong period, Tonggao: 24.9cm high, emperor Qianlong in Qing Dynasty. The shape of the bottle is regular, the tire is delicate and firm, the texture is delicate and light, the glaze is moist and clean, the whole body is painted with pastel, and the bottle body is divided into many parts by gold tracing technology. Pankou, tie neck, beautiful shape, elegant atmosphere, all yellow powder ground. The decoration is full and the edges are painted with gold, which is of great ornamental value. This bottle is made in red and yellow as the main tone, refined and ingenious technology, rich and diverse patterns, showing the legacy of Qianlong pastel. In particular, it is very rare to burn such large and regular furnishings.

交易评论