Jean-Philippe Duboscq (b.1960) studied at the Ecole nationale supérieure des Arts Visuels de La Cambre (La Cambre national graduate academy for Visual Arts) from 1976 to 1980.  In his work, there is a will to bring pictural matter as close as possible to physical  constraints, to free himself from control and from composition, to leave room for the unexpected. This can be seen both in his fluid and diaphanous backgrounds made from paint runs and absorpts, and in his brisk and bold writings.  His intuitive movements lead him to resistances, to deviations. A kind of distortion of the form of which the subject is painting. Duboscq creates a world in bebop tempo, scratched, crossed out, erased, with saturated colours, syncopated rhythms, of which the space in perspective opens to an internal light. Artist lives and works in Belgian.   Virginie de Limbourg graduated at the Royal Academy of Fine Arts.  The paper hosts a quiet movement, both undulating and shimmering. But the painting strokes are  strong and precise.  The trait of Virginie is dynamic, the source of its own inspiration, reborn indefinitely in itself.    Fragile, absorbent, delicate, we must listen: it whispers, it blows, it vibrates.  The patterns are fragments of emotions, swirls of plant forms, organic landscapes that offer an intimate, profound and delicate understanding of the universe.   Federico Comelli Ferrari (b.1980) combined his artistic studies in the scientific,  medical training after attending art school and, in parallel, deepening his love for  photography institute Ken Damy. Since 2007, dedicating its efforts to further  develop the artistic side: his interest revolves around the deconstruction and  reconstruction of the perspective of people with different photographic techniques.  The result is printed on various medium where the play of light, can not resolve  objects, dismembered by their strength, resulting in a spectrum of colors and  figurative considerable dynamism and delicacy. Artist works and lives in Milan, Italy.   Gill Cohn (b.1951) lives in Sydney, she has a degree in Fine Arts from the University of the Witwatersrand in Johannesburg. Gill creates images that evolve as one looks at them … sparking associations  that develop and deepen. She is currently inspired by the beautiful colouring  and patterning found on the bark of Blue Gum trees as well as the sandstone  rock faces so plentiful in Sydney. Gill’s  work often has a spiritual quality. “I find elements from different natural sources and combine them creating a  new entity. I work intuitively, one thing leading to another. There is the initial  stimulus of beauty together with my curiosity …. I plunge into the work and  magic sometimes happens!”   Ma Wei (b.1988) comes from a literary family, growing up in Japan, then studied  the Fine Arts School Affiliated to China Central Academy of Fine Arts. The “Spirits” in Ma Wei's paintings are interpretation of humanity and faith in the simplest of  child-like expressions. In order to present these creatures to their fullest, Ma fuses  various genres of Western oil painting, Japanese Ukiyo-e and Chinese Gongbi  (fine brush) ink painting.   Vero Ini (b.1983) has a young spirit decanted into her way of painting, either in  the loose, spontaneous and gestural brushstrokes and shapes, backgrounds and  colors she chooses. She confesses feeling part of a whole, where each of those who  conform it creates their own universe to shape and move through their destiny.  "My goal is to spread good energy through the motions of my works. My aspiration is to touch the viewer in a natural and sincere way."   Mario Digennaro born in Martina Franca (b.1975), the beginning of his artistic career as a decorator of artisan ceramics for “Ceramiche Elia Maria” in Martina Franca  (TA) and up to the end of his adolescence, this experience nourished his strong  interest in the world of classic design and figures. He consequently applied to an artistic studio and received his diploma from  the High School of Applied Art, Sforzesco Castle of Milan, specialized in Pictorial  Decoration, Affresco and Decorative Wall Techniques, in 2005. From 2002, he became the pupil of master Paolo Fabbro and participated in  numerous exhibitions and competitions, winning first prize in the Corsico  collective in 2003. From 2006 to 2010, he joined the “mtArtegallery”, Milano, during which he  orgainzed numerous art exhibitions and developed important projects including  the workshop “Contaminazioni” with artists from the gallery, structured around  the exercise of reciprocal interaction and contamination, working with 4 hands  on the same canvas.