佚名
米振雄
康蕾
Shravaka Hearer
(平台服务时间：周一到周五 9:00-17:00)
- 资质：
- 评分：
1分 2分 3分 4分 5分 6分 7分 8分 9分 10分 7分
- 印象：
- 经营时间：39年
- 展厅面积：800平米
- 地 区：香港-香港地区
| 尺寸 | 26.7x41(cm) | 创作年代 | 2015年 | ||
|---|---|---|---|---|---|
| 作品分类 | 摄影 | 材质 | 数码照片 | 题材 | 人文纪实 |
| 作品标签 | |||||
| 适用空间 | |||||
杜可風
| 出生年份： | 1952 |
|---|---|
| 籍 贯： |
作者介绍
Christopher Doyle (b. 1952, Sydney, Australia) is guilty of creating some of the most beautiful images on film in the last four decades. Among his forty-two awards and nineteen nominations at film festivals around the world are the Grand Technical Prize at the Cannes Film Festival for In the Mood for Love (2000, dir. Wong Kar-wai), as well as the Osella d’Oro for Best Cinematographer for Ashes of Time (1994, dir. Wong Kar-Wai) at the Venice International Film Festival. In 2013, Doyle teamed up with ArtAsiaPacific to release Away With Words, an interactive iPhone and iPad app that allows users to interact and collaborate with him through language and imagery. Most recently, the artist made international headlines while crowdfunding his latest film project,Preschooled Preoccupied Preposterous, a film partially set during Hong Kong’s recent ‘Umbrella Movement’ protests.
