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捧酥油灯的孩子

捧酥油灯的孩子

  • 编  号:662313
  • 作  者:贺德华 查看拍卖记录
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捧酥油灯的孩子

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贺德华

贺德华

出生年份: 1956
籍  贯: 四川-成都

作者介绍


贺德华,四川成都人,满族。国家一级美术设计师。2001年毕业于解放军艺术学院美术系舞美高研班。中国美术家协会会员,中国舞台美术家协会会员,四川省美术家协会会员。原全军高级职称评审委委员,原成都军区战旗文工团美术设计师。擅长藏族风情写实油画创作,从七十年代至今长期深入西藏边防、藏族阿里地区以及四川藏族牧区。深深地被那里的风情所吸引,作品多次获国家、四川省、全军等艺术奖项;被中国美术馆收藏、美国赫夫纳画廊收藏、瑞士、日本、台湾等收藏家收藏。作品题材广泛。

1983年创作油画《家》巴金故居,发表于《富春江画报》1983年第十期,巴金先生曾寄此刊给日本画家水上勉先生。水上勉先生回笔《在巴金故居遗址——成都游记》,以表于《文艺春秋增刊》1984年新春特号。

1984年创作油画《我的爷爷》参加第六届全国美展同年被中国美术馆收藏。吴冠中先生在第六届全国美展的评选日记中写道:作者下工夫将客观对象描写得细致,刻画得真实,用细密的写实手法,使得作品显得丰富充实,期间明显地反映出作者对审美的理解与情趣。发表于《美术》1984.11期。

1985年创作油画《炽》,于1987年被美国GHK公司收藏。

He Dehua, a contemporary artist, is often known as “Level I” national artist and designer. He was born to a Manchu family in Chengdu, Sichuan Province. And He graduated in the year 2001 from People’s Liberation Army Academy of Arts. He now works for many reputable art associations and committees of which he himself remains a member and a former advisor, including China Artists Association, China Institute of Stage Design, Sichuan Artists Association, People’s Liberation Army Awarding Council and Chengdu Zhanqi Art Society. His oil paintings are highly realistic and often tinged with Tibetan culture. He is no stranger to Tibet: in the 1970s. he began his journey to the west and reached the very depth of Ali District and Tibet’s pastoral area and military region, where his imagination was stirred. He soon made a name for himself with his award-winning works favoured by National Art Museum of China and Hefner Gallery of New York. And many of his works had won huge popularity among patrons of art from Switzerland. His works cover a wide range of themes and ideas. 

In 1983, He finished his picture Home at Bajin’s former home. This work was first published in Fuchun River Art Review, Volume 10, 1983. It’s worthwhile to note that Mr. Bajin had once sent a copy of this volume to his Japanese friend Minakami Tsutomu. And Mr. Minakami soon replied with a letter, the title of it being Bajin’s Ancestral Home——A Journey to Chengdu, published in the Spring Edition of a Japanese art journal Bungeishunju.

He’s oil painting, My Grandpa, earned him a decent reputation in the Sixth National Art Exhibition in 1984 and it soon became National Art Museum’s possession. During the exhibition, Wu Guanzhong wrote in his diary: ‘The creator of this little piece of artwork spared no effort in making it as real as possible…perhaps that quality is what distinguished his work, which is rich in both content and form and reflects his taste and understanding of beauty.” This remark can still be found in Art (Vol.11, 1984).

Flamboyant, another piece of oil painting by He, was completed in the year 1985. It was soon bought in 1987 and entered into the collections of GHK, an American company. 

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