【策展人】
 宣琛昊
【项目总监】
 柳力
【开幕时间】
 2016/1/2（周六），18:00—21:00
【展览时间】
 2016/1/2—2016/2/2,每天10:00—18:00
【展览地址】
 上海市杨浦区临青路188号C3楼4楼
【艺术家】
 金晟嘉、李梦云、高山、顾奔驰、顾汀汀、马立华、司尚林、王小双、徐悦、宣琛昊、朱谌杰、朱泓霖、周槟榔
【主办】
 半张图艺术馆
【鸣谢】
 上海屋凯装饰有限公司

【CURATOR】XuanChenHao
【PROJECT DIRECTOR】LiuLi
【OPENING  RECEPTION】2016/1/2（Saturday）6p.m. to 9
【TIME】2016/1/2——2016/2/2（Everday10:00——18:00）
【EXHIBITION VENUE】Shanghai City, Yangpu District LinQing Road No. 188 building C3, 4F （Close to Metro Line 12）  / HALF A PICTURE GELLERY
【ARTISTS】JinShengJia、LiMengYun、GaoShan、GuBenChi、GuTingTing、MaLiHua、SiShangLin、WangXiaoShuang、XuYue、XuanChenHao、ZhuChenJie、ZhuHongLin、ZhouBingLang

“千里眼”所指即是一种凝视，全球化同一化的世界里可供选择的消费方式看似花样繁多，实则千篇一律，人造景观中的真人秀剧情抓住观众的胃口，在传媒的覆盖下世界次序变的共识性和电视化，连战争也和从前不同了，正如博德里亚认为，所有战场上的新闻在对战争无条件的模仿，法国国旗投射在“伦敦眼”、柏林的勃兰登堡门上，除去斯拉沃（齐泽克）对于欧洲犬儒自由派的激烈批判之外，这样的做法也有其价值。毕竟它提醒了我们：以安全之名筑起的边境和防线，向来带进更多的不安全。在一轮又一轮糖衣炮弹的轰炸中，仿真世界中的我们早已习惯了屏幕，眼见不为实。正如那则古老的悖论，一切真的都将被证伪，而假将成真。

在视网膜结构允许的范畴之内，局限性影响我们的心相，如何从简单的图像志，即题材、隐喻、象征，中脱离出来回归到自然面前，我们的世界只存在暂时的描述，而艺术就是去证明这种偶在的语言对表象世界的作用。

此次参展艺术家中如马立华，周槟榔、朱泓霖等的作品正是要去探讨这种偶在的语言中极简的暗示，通过对于自身的考古，他们的“遗物”可见或不可见，映像成为牢笼外的天空，徐悦作品从目力所及的洪荒里到宇宙的冷酷仙境中，而李梦云恰恰在经营着这种混乱与秩序,现代望远镜飞速发展,使得人类可以看到宇宙的更远处和更暗的天体；超级计算机的发展使我们在理解宇宙结构形成和演化方面也上了一个新层次。库布里克在《太空漫步2001》里对于身体和宇宙的认识就颇有“千里眼”的意味，时间与存在不再是并行关系，而人类只能处在形式主义阶段，正如我们对于感情和天气预报总出错。艺术如同一次次出错的感情或天气，但的确迷人。

王小双更愿意将这种絮叨组装成不确定的连续话语，就像对艺术的创造和享受需要融合两种互相排除的心理态度，对于城市的伤逝和哀悼被视觉逻辑小心翼翼的包裹起来，数学是宇宙的方程式，这一点毫无疑问，顾奔驰的做品充满爆发力同时却又冷静异常，里尔克讲生活和伟大的艺术之间存在着某着古老的敌意，即成为消费者同时也是生产者，从制造符号到消解符号的过程中以这种方式同时庆祝着真实自我的消失和漫画般的自我复活。生活沦为一种在其形式后追赶却又找不着其形式本身的无谓运动。大众传媒在他身上失效了，而金晟嘉则打着红旗反红旗，通过各类新闻和流行文化中的伪善煽情脸谱和灾难符号（凶杀、死亡、革命、）去暗示图像泛滥的冷暴力，媒介的暴力体现在它不知不觉已然成为了我们时代的生活指南，一旦我们失去了生活指南以及对于媒体更新的心理期待，我们将失去支点。

千里眼可以无限的诠释，距离可近可远，词与句的错位，透视与反透视等等，在展览中以视觉形式弥漫出一些可称之为思想的东西，凭此，艺术如何终结？丹托的话只是一个诡计或政治姿态罢了。

"Clairvoyance",referred to as a kind of gaze,in the globalized and homogenized world with seemingly diverse consumption patterns, yet remains stereotyped in reality.Under the coverage of media, the world's order tends to become "comon-sensus" and "tele-visionized", and we have been accustomed the screen in the simulated world, seeing not believing.As of the old paradox,everything real will be proved falsified, and the false will become truth.

Within the reach of our retinal structure, limitations affect our mind continuum.However,how to disengage from simple iconography, namely the theme, metaphor, symbol, and return back to the nature, while there's only temporary descriptions existing in our world, art is there to prove its role of this kind of occasional existinglanguage to the representational world.

The artworks of the participating artists like Lihua Ma,Bintang Zhou,Honglin Zhu,TinTin Gu,etc.,are aimed to explore the the minimalist cues containing in this kind ofoccasional existing language.Through self-archaeological study,their "relics" reveals to be either visible or invisible.Gao Shan’s Video Art work is searching for the exact pieces and residues. The existence of language cannot add on or take away any of the boredom of our daily life. It’s not only a banter to erase a theatric attitude, but more.The objects,went through permutation and combination,are no wonder a kind of banter.The impulse to draw the paintings originates from the series of encounter time by time: the encounter between artists and the subjects.Seemed to be a creative move,it is actually about giving forms to the things acceptable to them.Their reconstruction to the known images is the intermediary realm in-between their consciousness and the primitive reaction,and this sense of alienation,can be referred to as the "gap". Yue Xu's works, from the primitive field of eyesight and the grim fairyland of the universe, as well as the concept of Meng Yun Lee, are precisely managing this kind of chaos and order. In the film"Space Walk 2001",the understanding of the body and the universe significantly indicates such a "clairvoyance" meaning.Time and being is no longer in a parallel relationship,but human beings can only exist in the stage of formalism, just as we always go wrong for feelings and weather forecasts. Art is just like the wrong feelings or the weather repeatedly gone wrong, but yet really charming.

Xiao-shuang Wang and Shang-Lin Si would rather assemble this kind of ramble into discontinuous words,but his mourningfor the city was carefully wrapped by the visual logics, and mathematics appears to be the equation of the universe. Undoubtedly, the works of Benchi Gu are not only full of explosive power but also calm at the same time, and the mass media turned invalid on him. However Shengjia Jin holds the red flag yet against the red flag, implying the cold violence of overwhelming images through hypocrisy facebook and disaster symbols (murder, death, revolution) in all kinds of news and popular cultures. The violence ofmedia is evidenced by the fact that it has become of the life guide of our times imperceptibly.

"Clairvoyance" can be interpreted infinitely, from near or far, with the dislocation of the words and sentences, as well as perspective and perspective measure, etc., in the exhibition,diffuses something called thought in a visual form.With all these,how could art come to an end?Danto's words were no more than a trick or political gesture.