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《瓷言墨语》黑子·石鲙作品联展

展览介绍

序 言
瓷本无言,墨亦无语。
瓷器属于工艺美术,水墨乃为文人小雅,少有交集。若有相同之处,只能说它们都是中华传统文化,一样渊源流长。
乙未阳春,石鲙与黑子同行至江西婺源写生,在景德镇小住,恰友人新起柴窑,二人见瓷坯精巧,不由兴致大发,于是以坯作纸,青花当墨,挥洒纵横,后经炉火锤炼,终成新器。画家碰瓷,由此又添佳话佳作。
石鲙水墨,肆意迭宕,诗情淋漓,在似与不似人间形成它独特的气质;而黑子泼墨,起落随意,大气磅礴,而又于细微之处营造心境,并结合当下人情世故,一墨一词,皆有所指,让人有所思而叹之。
所以,瓷能言境,墨可语情,瓷言墨语,且观且读。

Preface
The porcelain is silent, the ink is also speechless.
China belongs to the arts and crafts, ink is literati Xiaoya, little intersection. If there is the same, they are all Chinese traditional culture, as long as the source flow.
Next spring, stone grouper and sunspot counterparts to Jiangxi Wuyuan sketch, in Jingdezhen sojourn exactly friends new kiln, and the two men see the porcelain delicate, not by the great interest, so to blank sheet, blue and white when the ink, sway aspect, after the fire temper, and eventually became Xinqi. The painter pengci, then Tim story masterpiece.
Ink stone grouper, wanton Diego Dang, poetic dripping, like and do not like the world formed its unique qualities; and sunspot splash ink,landing at random, majestic, and in nuances to create a state of mind, combined with current Renqingshigu, ink a word, all have to, let a person have thoughts and sigh.
So, the porcelain can language environment, language materials, language and the concept of porcelain ink words, and read.